This allows the mixing engineer to control the intensity of the effect as well as the raw signalĪnd the effect separately. If you use effects in this way, you can send the raw signal and the effect signal to the mixer in two separate tracks. The intensity of the effect can then be controlled by the volume ratio of the two. This way you have both a 100% dry and a 100% wet track. On this second track the effect is put with a mix value of 100%. This means that you do not place the effect plugin directly on the audio track, but send the signal of the audio track to a parallel effect track (called Bustrack, Sendtrack, Auxtrack, …). To prevent this, you should work with so-called “parallel processing”. The mixing engineer is therefore clearly limited in his/her ability to get the best out of your song. If, for example, a compressor is applied to the track to emphasize the vocals, the reverb could also become more intense. For example, if you send out a vocal track with reverb on it, the mixing engineer is not able to deal with the voice and reverb separately. However, if the effect plug-in is located directly on the respective audio track, there is a problem. However, if you have applied these yourself and are completely satisfied with them, you can keep them when exporting. If you have not yet created any “artistic” effects or if you are not satisfied with your settings, these can of course also be created completely by the mixing engineer (in this case just jump directly to the instructions). There should also be no plug-ins on your master track. It’s better to leave the latter to the mixing engineer, because these effects are what the mixing process is all about. You can distinguish between artistic effects (delay, phaser, autotune, octaver, automations, …), which tend to belong to the production process, and the more technical effects (compressor, equalizer, …), which tend to belong to the mixing process. “But should I disable the plugins or leave all the effects active?” If the mixing engineer also works with Logic, you might be able to skip the whole export process (steps 10-12) and just send a cleaned up project file or the project folder. Even the best mix won’t help if you have unedited tracks or editing errors. However, if you haven’t edited your tracks yet and don’t have any experience with it, talk to your mixing engineer to see if he/she offers editing and can take over. Editing is not part of the mixing process! Don’t expect the mixing engineer to fix your mistakes. If your tracks are overdriven, too sloppy, or sound in a direction that is significantly different from what you want for your project, you may want to rework your tracks. Keep in mind that a mixing engineer can’t turn bad productions into gold. „Mixing consoles are no sewage treatment plants“ So make sure that you are really finished and satisfied with your production. To save the mixing engineer unnecessary work, you shouldn’t add new tracks after he/she has started his/her work. However, in order to make the transfer to an external mixing engineer as fast and smooth as possible, you should pay attention to a few small details beforehand. No need to panic, exporting stems from Logic Pro to get them mixed by a professional, is going to be quick and easy with this guide! Things to look out for before exporting Great decision!īut what is the best way to export individual tracks from Logic? And should all the effects be deactivated or not? They actually sound good as they are … maybe it’s better to do everything yourself in the end?
Mixing on pro tools vs logic pro professional#
The only thing left is to make it sound right to keep up with your favorite artists or references!Īfter your work as a producer, a professional mixing engineer with fresh ears should take care of it. After weeks and months of hard work, your song, EP, or album is finally produced.
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